Every bolt lists its weight, composition, width, sett and loom. If the specification is incomplete we do not put it up.
Warp one colour, weft another. Tilt it and the colour moves. Nothing is printed: the shift is two coloured yarns taking turns on the face.
Gilt thread on an olive ground, drawn from a seventeenth-century fragment. A 48 cm repeat, and 2,400 cards to weave one of them.
Figure and ground are the same thread. The pattern exists only as a difference in how two structures reflect. Flat light hides it; raking light brings it up.
Six dips in natural indigo, aired between each one. Quieter than a synthetic navy, and it holds up far better in light.
Bone figure on a grey-green ground. Thirty years on the same pattern, redrawn four times; the repeat has come in from 32 cm to 26.
An 8 momme gauze given a water-repellent finish. A drop sits on the air trapped between the threads instead of spreading into them.
Bring a swatch, a drawing, or just a sentence — "it should drape without going soft" is enough to start. We work backwards from yarn count. Minimum run 30 metres.